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sungodphoebus:

ohgoditsafurry:

foervraengd:

Okay so I followed this video about foreshortening and…

Sycra. I love you so much for making this video.

YOU GOTTA BE FUCKING SHITTING ME

guys

GUYS

SHIT

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SHIT GUYS

pumpkinfishes:

megidoladynes-for-everyone:

dougforbes:

Inspiration Reference
simple reference tools make a great amount of difference.

Stare at this while scrolling up and down the page.

oh wwwoooaah
helpful

pumpkinfishes:

megidoladynes-for-everyone:

dougforbes:

Inspiration Reference

simple reference tools make a great amount of difference.

Stare at this while scrolling up and down the page.

oh wwwoooaah

helpful

eyecager:

The Human Figure: An Anatomy For Artists by David K. Rubins

The pages don’t come coloured, I borrowed my room mates book to scan in. I did some studies in paintchat awhile back hope to do more sometime.

losthitsu:

Body drawing review - translated version.

queensimia:

tobediff:

Section One of Part Three!  Some interesting approaches to wrinkles in clothing.

Holy shit, someone translated Hitokaku tutorials into English?! GIEF TO ME

npcmimic:

yamino:

How to draw a fist! 

THANK YOU SO MUCH
fists are always the hardest thing for me to try and draw, let alone the fact that they are hands! 
I can’t believe the solution was this simple!

npcmimic:

yamino:

How to draw a fist! 

THANK YOU SO MUCH

fists are always the hardest thing for me to try and draw, let alone the fact that they are hands! 

I can’t believe the solution was this simple!

paperseverywhere:

kalidraws:

Today I gave my students a quick presentation on some of the basic considerations for composition, which I am now sharing with you! I’ve given them separate talks about color and tonal value/contrast, which are also super important compositional concerns. (I’ll be sharing those presentations too once I properly format them)

I personally love learning about different compositional techniques. It’s fun to think about the ways that the brain views & sorts images, and how we can trick it into feeling a certain way or looking at certain aspects of an image first! It’s easy to fall into compositional ruts (which I am also guilty of) because a lot of art gets by with mediocre, though serviceable, compositions. If you can generally understand what’s happening in an image then it’s generally fine. However, it’s the truly great compositions, where everything in the whole image has been considered and ‘clicks’ together, that bump up an illustration to a visual slam dunk. NC Wyeth is one of my favorite artists for this reason: his compositions are rock solid, varied based on the image’s intent, and always enhance the mood or action he is depicting.

For extra reading, some online compositional resources that I’ve found helpful or interesting include:
Creative Illustration by Andrew Loomis (download it for FREE. Such a great book all-around.)
Gurney Journey (check out the “Composition” tag, but really everything he posts is great)
The Schweitzer guide to spotting tangents
Cinemosaic (a blog by Lou Romano with some truly WONDERFUL compositions captured from various films)
Where to Put the Cow by Anita Griffin

Happy composition-ing!

We’ve all seen the rule of thirds, but these have additional tips that are extremely helpful.

holdmyhat:

Ohmigosh yes.

holdmyhat:

Ohmigosh yes.

(Source: vesperkore)

wordgotaround:

probablewizardry:

morrissarty:

helpyoudraw:

Matte Painting Tutorial

WHAT

areYOU FOR REAL WHATTHE FUACK THIS IS AMAZING

THANK YOU-

Tutorial: from paper to digital.

kaiami:

Hey ya’ll! I’m not much of a tutorial person, but this was a technique that I learned from Syuzuki, one of my favorite artists back in the day, when I was 13. I memorized the technique and it’s been one of the most useful things I can do on photoshop. This was something that really helped me, and I hope that it will be useful for even some of you.

In this tutorial, I will be going step by step how I take something from my sketchbook and color it on photoshop.

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graphiteknight:

artsypeach:

akiglancy:

qinni:

The first one. With references. 

Full View Here

Edit: some people have been asking me if i have any more tutorials, which is why i’m reblogging this again :D;;. Hope you guys don’t mind ^^;

More of my tutorials on tumblr here

More of my tutorials on dA here

I’m “Filing” this away for later….GET IT?! LIKE FINGERSNAILS?! HAHAHAHA

fucking dies

xfreischutz:

I was going to review my french and linguistics but then this happened instead.
Except it’s 3.30am so it’s half-assed. //shotdead

But hopefully people will find this of use. \o/ Sorry this took so long, Anon, and I hope it answers your questions.

helpfulharrie:

Source: FOERVRAENGD

List of tutorials that helped me with environmental painting:
“How to make your own Perspective Grid in PS” <—- this one is the best thing I’ve ever discovered. Srsly CHECK IT OOOOUUUUT!
Snuffen’s Background Tutorial P1More or less ALL tutorials by Griffsnuff is awesome, so make sure to check out the rest of them!
More or less ALL tutorials made by AquaSixio!

List of youtube channels that also helped and inspired me:

FZDSCHOOL - More or less one of the most known concept art-related resources I know on youtube. It’s great to sit and draw and just listen to the talking.

SinixDesign- This guy is also great! He has some design workshops ever now and then where the viewers can send in their stuff for critique! very encouraging and inspiring!

moatddtutorials- This guy is more into drawing than painting, and has a more cartoony style. He has interesting methods when it comes to perspective. And he also challenge himself in some of his videos (the engine block video is a great example of this)

foxOrian- Also known here on dA for his awesome perspective and composition tutorials. He has a youtube channel where he posts some videos that might be interesting as well.

hearditbothways:

Why do you do this to me

image

There’s a reason behind color zones, but James Gurney does a much better job at explaining it than I do. Keep in mind this doesn’t cover lighting, just the local color of skin.

Although there are ‘color palettes’ here, I really wouldn’t recommend using them for your own (as in saving the image and eye dropping them) art, I did this rather quickly so this probably not very accurate. These are just my personal preferences when it comes to color. I don’t have saved palettes; I pick colors depending on the lighting or mood as I am working on a painting. BUT IF YOU WANT TO GO RIGHT AHEAD.

As for texture, lolidunno, I just use a lot of scatter brushes until it sort of looks like skin texture??? I honestly don’t worry about texture though unless it’s like a really close up view of a face or whatever. You can find my brushes here (you’ll need Photoshop CS or higher).

I am flattered that people are seeking advice from me, but keep in mind that I am still learning myself, so I am by no means the best person to be asking. Hope this helps you out though, anon!

masterkfox:

animationart:

Eagle Notes-Glen Keane

*gasp*